The story behind the artwork
A woman wear her pregnancy with pride, even though she is surrounded by chaos…
Free Minor Africa
Médecins Sans Frontières is a private, international humanitarian organization providing humanitarian aid in the form of medical relief to victims of conflicts and disasters throughout the world. The primary purpose of our humanitarian work is to provide emergency services to the most vulnerable groups in natural disasters, wars, conflicts, epidemics, diseases, famine and poverty. Every year the MSF organization sends doctors, nurses, midwives, administrators and logistics to humanitarian work in projects in around the world.
We have also committed ourselves to report the terrible conditions we encounter through our humanitarian work, and thereby helping to provide information on living conditions in the worlds hotspots.
Médecins Sans Frontières (MSF) is an international, independent, medical humanitarian organisation that delivers emergency aid to people affected by armed conflict, epidemics, natural disasters and exclusion from healthcare. MSF offers assistance to people based on need, irrespective of race, religion, gender or political affiliation.
Jan Grarup (DK, b.1968) Has over the course of his twentyfive-year career photographed many of recent history’s defining human rights and conflict issues. Grarup’s work reflects his belief in photojournalism’s role as an instrument of witness and memory to incite change, and the necessity of telling the stories of people who are rendered powerless to tell their own.
His images of the Rwandan and Darfur genocides provide incontrovertible evidence of unthinkable human brutality, in the hope that such events will never happen or be allowed to happen again. His work, The Boys from Ramallah and The Boys from Hebron, covers both sides of the Intifada expressed through the lives of children coming of age amidst the violence. Grarup’s work takes the viewer to the limits of human despair, dignity, suffering and hope. His images are relevant to us all, because they form a chronicle of the time in which we live, but at times do not dare to recognize.(Read more…).